Fondazione Palazzo Strozzi in Florence is currently exhibiting a selection of Anish Kapoor’s early, mid-career, and recent works presenting a comprehensive view of his artistic evolution and exploring the interaction of his contemporary sculpture with the Renaissance architecture of the historic venue.

Reaching through and beyond a rectangular atrium forever open to the sun and stars, a single monumental work activates both inner and outer structures – No se me quita lo naco, is a new site-specific installation at Puerto Escondido’s Meridiano that develops on Gabriel Chaile’s recent sculptural presentations at the Venice Biennale, the New Museum Triennial, and Studio Voltaire.

For In Ethylene Arms, Zsófia Keresztes transforms the former nave of the church of St. Agnes in Berlin into a garden of earthly delights and suffering. Somehow here, it is both spring and autumn – apples bloom and rot, pain and joy are one and the same.

Munich’s Haus der Kunst is currently presenting a landmark exhibition as part of its ongoing re-examination of overlooked histories. Inside Other Spaces. Environments by Women Artists 1956–1976 reconstructs legendary works including Judy Chicago’s Feather Room and Aleksandra Kasuba’s Spectral Passage.
In April 2019, the stars aligned as Saci and Alex’s paths converged in El Paredón. Saci was exploring uncharted territories, while Alex, with a history tied to the local NGO La Choza Chula, was immersed in the community. As fate would have it, their story encountered a twist with the onset of the COVID-19 pandemic in March 2020. Marooned in rural Hungary’s Zalaszántó, Saci’s hometown, the Casa Zala concept was conceived.