l’être, l’autre et l’entre
Through her installations that combine textiles and sculpture composed of both industrial and natural materials, Marie-Claire Messouma Manlanbien creates ecosystems where materials interact and cohabitate.
For her project at the Palais de Tokyo, Messouma Manlanbien proposes to set a series of recent and new works against a large theatre curtain that she previously created for the Beffroi de Montrouge. The use of pre-existing pieces is a recurrent practice in her œuvre, where works are regularly bought into new configurations where forms can borrow from and renew one another, multiplying outwards in an infinite exploration.
Messouma Manlanbien’s artistic practice, brings together industrial materials like aluminium, copper, and brass with natural materials such as raffia fibre, rope, tree sap and shells. Through these “encounters” between disparate materials, she creates unique ecosystems in her artworks. The materials not only coexist but also enter into a profound relation with one another, generating a dialogue between their distinct properties and meanings.
Her artistic process involves the construction of landscapes or maps within her installations, which serve as a visual language to communicate her ideas. These landscapes and maps are inspired by the art of mapping and representing geographic spaces. By incorporating cartographic elements into her works, she explores themes of space, territory, and navigation, adding layers of meaning to her artistic expression.
Additionally, Messouma Manlanbien explores the concept of “vêtures” or “vestments”. Such “vêtures” are elements that she creates from the textiles she forms, which she then wears as symbolic garments or costumes during her performances. The “vêtures” become extensions of her artistic expression and serve to embody the characters she portrays, adding a performative dimension to her installations.
In this spirit of reactivation, the immense artefacts conceived for the theatre here serves as a backdrop for a new scene within the architecture of the Palais. Through her performances, which are most often solitary but which at times include others, Marie-Claire Messouma Manlanbien occupies this space through readings of her poetry and through rituals. In these moments of narrative exchange with the public, the textiles that she creates are redeployed in the form of the “vestments” that she wears to embody her characters. The space becomes one of a living narrative, where the artist reads her poems like a storyteller, mobilising her body and her voices.
Marie-Claire Messouma Manlanbien’s installations also incorporate everyday life as she challenges the conventional notions of art and crafts, transforming them into elements of creative expression that carry cultural significance and provoke reflections on the relationships between humans and their environment.
Marie-Claire Messouma Manlanbien’s exhibition L’être, l’autre et l’entre is open at Palais de Tokyo, Paris until the 10th of September 2023.
palaisdetokyo.com
Images courtesy of the artist and Galerie Cécile Fakhoury (Abidjan/Dakar/Paris). © Adagp, Paris, 2023
Words by Fabrizio Mifsud Soler.
Be part of our
community
Explore art, photography and design that inspires you. Discover new artists,
follow your favorites and connect with the creative community.
Duality of Ecstasy
The Duality of Ecstasy captures the complexity of human emotion through mime and rhyme. The new short film from Maltese director Keith Albert Tedesco explores the extremes that elevate us and estrange us into ecstasy through a series of vignettes interwoven with French narrative.
The veiled world of curios collecting
I used to collect everything. If I found myself with two objects of the same nature, I would find myself wanting more of them. Ten or so years back I started cutting out the general collecting and focused more so on curiosities. I’ve always loved the layers of curios shelves, skulls, bottles, objects of nature naturally formed into beautiful objects. It’s also nice to have objects that have a story behind them.
Janus Head
We asked four people that each have a history with drug abuse to share their experience while in a rehab journey. We took the best and worst bits from these altered real-life experiences and put them through an AI image generator. A pair of images are generated for each subject depicting the ecstasy and aftermath from their recollections. How accurately does AI capture the sentiment that words are trying to convey?
Powered by
Publications
Social
Legal