Disclosure Agreement

Words by Fabrizio Mifsud 
Photography by Ritty Tacsum

Data Humanism - Refik Anadol

Fabrizio Mifsud Soler sits down with Ritty Tacsum, whose latest exhibition, Disclosure, marks her first solo show in five years. Known for blending elements of faith, vulnerability, and raw human experience, Tacsum delves into the layers of her creative process, the influence of her Roman Catholic upbringing, and the intriguing confessions that have shaped her newest body of work. As she reflects on the deeply personal yet collaborative nature of Disclosure, Tacsum also shares a surprising confession of her own, offering a glimpse into the artist behind the lens.

Welcome Ritty, how long has it been since your last confession?

It’s been many weeks since my last confession – probably a year.

Your work leans on religious sentiments quite often—what do you feel is the role and importance of religion, especially your Roman Catholic upbringing, in your work?

I was raised in a deeply religious family, immersed in a culture rich with spiritual traditions. From a young age, I was naturally drawn to religious iconography. My surroundings were filled with symbols of faith, from small Lourdes statues to numerous portraits of Jesus and the Madonna adorning our home. These images captivated me, and while my personal connection to religion has evolved over time, the influence of this iconography remains deeply ingrained in me. It continues to shape my life and is evident in the way I decorate my home and express myself through my work.

Besides religious iconography, one could say nudity is also part and parcel of your photography. But from your perspective, what makes a photograph a “Ritty Tacsum” photo?

My artistic style has undergone a significant evolution over the years. While nudity and religious elements remain prominent, my work has expanded to explore layers. These layers emerge through techniques like multiple exposures and are enriched by the complex narratives I weave into each piece. It’s this interplay of visual and conceptual depth that defines my work, creating a multifaceted experience for the viewer.

People’s deepest thoughts and desires can be rather singular. Similar to a real-life church confessional, do you feel the anonymity factor helped people reveal themselves for who they really are?

Yes, I believe that providing a platform where people can unburden themselves of personal thoughts played a crucial role in encouraging more confessions. There are certain things in life that are difficult to say out loud, and I think “Disclosure” offered some the opportunity to do so.

Were there any confessions you would have liked to bring to life but found too dark or complex to recreate? On the flip side, did you receive any odd ones? Like someone confessing to stealing donuts from their children, for example?

There were indeed some confessions I would have liked to bring to life visually, but I found it challenging, especially with sensitive topics like those involving rape. On a lighter note, one confession that stood out was quite humorous—someone found themselves in a garage with an urgent need to poop, and they ended up using a black trash bag, which was later set out for collection.

“There are certain things in life that are difficult to say out loud, and I think Disclosure offered some the opportunity to do so.”

Could you take a moment to explain the orange slices that seem to have intrigued many of your Instagram followers?

The “orange slices” confession was a submission where someone admitted that as a child, they used to play some unusual games. One game, in particular, involved seeing how many orange slices they could fit up their backside.

As a photographer, do you consider yourself intrinsically a voyeur? What’s your guilty pleasure? Is it seeing men in black jockstraps, Manchego cheese, or something darker you wouldn’t dare disclose to the world?

Yes, I admit that I am, in a way, a type of voyeur. One of the things I genuinely enjoy is observing people as they go about their daily lives at home—whether they’re cooking, relaxing, or just living in their own space. There’s something fascinating about watching these everyday moments unfold, and I find it quite fun to sit on my balcony and quietly observe what others are doing. You could say I’m like a modern-day CCTV, taking in the world around me from a discreet distance.

This is your first solo exhibition since 2019. Besides the participatory element in conceptualising the works, how would you say it differs from your previous show? Are there stylistic differences that visitors might overlook?

Honestly, the models played a huge role in shaping the final vision for this show; it was a true collaboration from start to finish. This show felt different from my previous ones, especially with the addition of props and other elements that added a twist to the overall experience.

At the opening of the show, you made a confession of your own that this would be your last solo show in your home country. What triggered this bold decision, and what’s in the pipeline for Ritty Tacsum?

I believe it’s time for me to take a step back and reflect on the next phase of my career. Over the past few years, I’ve been questioning my work, and now feels like the right moment for a change. I’m not entirely sure how my work will evolve, but I’m genuinely excited about this new chapter. That being said, I will continue to participate in collective exhibitions with my earlier work, but I hope my next solo show will be a significant departure from what I’ve done before.

Is there anything else you’d like to confess before we part ways?

One of the confessions in “Disclosure” was my own.

Data Humanism - Refik Anadol

Disclosure by Ritty Tacsum is on view at the Malta Society of Arts, Valletta until August 14th 2024. It offers visitors a look at 17 works that intimately explore the intersection of faith, vulnerability, and human confession. Curated by long-time collaborator Lisa Gwen, Disclosure serves as both a culmination and a new beginning for Tacsum, encapsulating her ability to turn the anonymous confessions of strangers into personal stories that resonate deeply with those who view them.

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